Another Whanganui finalist was "reclusive workaholic" Aaron Scythe, for "To take root".
Like du Chatenier, it was his third nomination.
"I really don't think too much about work, in a sense," Scythe said.
"The style that I do is Oribe-based, which is more about the immediacy of clay."
Scythe said he took traditional Japanese (and sometimes English) forms and interpreted them into the Oribe-making tradition.
"It's very fast, and really to do with the movement of clay, I suppose."
Scythe's journey in ceramics began when he left school at the age of 15, when he realised he "didn't want to do anything academic".
After studying at Carrington Polytech he moved to Sydney and eventually set up a studio.
"I built a wood-fired kiln there and started teaching myself.
"A few years after that I ended up in Japan and eventually got married."
Scythe and his family left Japan after the Fukushima Daiichi nuclear disaster in 2011, settling in Te Aroha, Waikato, before moving to Whanganui seven years ago.
"It [Whanganui] had quite a bit of strange, bad press about it, but we couldn't see any reason why.
"We really, really like it here.
"It doesn't matter where I go anyway, I'm normally just in my studio, working."
His next exhibition will be held in February at Masterworks Gallery in Auckland.