Past Possessive, Future Possessive (I) (Umpire Chair In Six Parts) by artist and furniture maker Chris Connolly won the Open Award at the 2022 Pattillo Whanganui Arts Review in November last year.
Connolly will talk about his work at Sarjeant on the Quay on Thursday, February 16 at 7.30pm with Tia Ranginui, whose photograph Murimuri Aroha won the Article Money Poppins Excellence Award, and Isabella Loudon, winner of the Dalgleish Architects Excellence Award for her piece Barbed.
Connolly’s beautiful, enigmatic work is the first in what will be a series themed, among other things, around power, language and ‘the abject’, or rejection of self. And yet, these themes and his mixed-media sculptural installations remain open to the unique interpretations viewers bring to them.
“I think language is one of these invisible power structures we are maybe not always aware of. Language has the power to surreptitiously form and validate a particular way of viewing the world. Sometimes I’ll think of a composition linguistically, like when you switch words around and start to read things differently through reworking [the words]. The reworking may be formally incorrect, but also reveals what is considered ‘correct’ and what that implies about our shared or personal understandings and values,” Connolly said.
Thrilled at having received the Open Award as a first-time entrant to the review, Connolly will work toward making a series of works for his 2025 Pattillo Project exhibition in the redeveloped Sarjeant Gallery at Pukenamu Queen’s Park. But the scale of the space is, as yet, unknown.