A monthly column by Nadine Rayner.
We’ve had many enjoyable evenings reading through all sorts of plays that explore different aspects of life at home and abroad. While a lot of our plays are set in Europe, I’m pleased to note that half of the plays we read this year are by New Zealand writers and set at home.
Joe Musaphia cast a rueful eye at surrogacy in his Mothers and Fathers, while Tim Hambleton, a South Island lawyer, poked fun at the operation of a country courthouse in his play Holding Court.
Roger Hall’s Taking Off reflected on the experiences of middle-aged people leaving our shores for a belated OE. We revisited Tzigane, which Repertory Theatre produced in 2003 - an exploration of the problems of an immigrant family written by John Vakidis - but I think one of my favourites was Neil Troost’s play Penalties, Pints and Pirouettes.
Penalties, Pints and Pirouettes tells the story of a country rugby club that wants to go to a tournament. In order to win brownie points with their womenfolk and thus gain permission to play away from home, they agree to perform a ballet for the school fundraiser.