Advertisements that appeared in the Wanganui Chronicle from 1926 stated that: “Apparel that is supremely correct and beautiful is gathered at the showroom of Lucille Ward. Every garment carries a rigid standard of quality, in lines, in fabrics, in colours. This apparel reflects the decrees of Paris, which smart women accept with delight”.
The business of gown specialist was initially profitable for Ward. In June 1928, she opened a second boutique in Stratford. Then in August of the same year, to keep up with the “decrees of Paris”, she travelled by the liner Mariana for Sydney, en route to England and the Continent.
The good times did not last. Perhaps the economic recession of the 1930s affected her business. In 1931 she was taken to court for unpaid debts. In 1933 her head dressmaker, Miss Betty Dewar, put a notice in the newspaper to announce that she had severed her connection with that firm and intended to commence business on her own account. Ward advertised for a new head dressmaker in January 1934 but by October 1935, she had decided to not renew her lease on the business premises. She finally closed the doors on her business in May 1936.
A bequest in 1975 from Whanganui woman Jean Lambert included this gown, and thus we are able to tell this story. Whanganui has a strong textile manufacturing and design history which is under-represented in not only the Museum’s textile collection, but also in recorded history. If you have in your wardrobe a Whanganui-manufactured. Whanganui-labelled garment that you are willing to donate, please contact the collection manager at the Museum.
Trish Nugent-Lyne is collection manager at Whanganui Regional Museum