“The relaunch of the Sarjeant will highlight this even further, so who could resist the opportunity to be part of the development of this vibrant scene?”
The gallery’s former director Greg Anderson resigned in September after 15 years in the role to become the deputy director of operations at Auckland Art Gallery Toi o Tamaki.
Whanganui District Council’s general manager of community and customer experience, Marianne Cavanagh, said Clifford would bring a valuable mix of skills and experience to his new role.
The role of Sarjeant director was “a critical appointment”.
“The Sarjeant’s importance has been further underlined by Whanganui’s recent designation as a Unesco City of Design and the significant support the gallery’s redevelopment has received from central government, along with the extraordinary fundraising efforts of the Sarjeant Gallery Trust,” Cavanagh said.
“We have also recently seen the stunning outcome of iwi co-design and co-governance supporting the development of the new wing, Pātaka o Sir Te Atawhai Archie John Taiaroa.”
Clifford was previously curator and acting director at the University of Auckland’s Centre for Art Studies, where he helped manage the Gus Fisher Gallery and art collection.
From 2002–2007 he produced music programmes for RNZ, preceded by 10 years at 95bFM.
He holds an MFA from the University of Auckland and is a trustee of the Len Lye Foundation.
“The Sarjeant Gallery’s programme, which is a reflection of its unique historic collection and the associated local art scene, has a strong emphasis on craft and design, particularly glass and ceramics,” he said.
“In my current role at Te Uru, we have a similarly broad approach to the arts, especially through our ceramics programmes, and so I look forward to further developing these strengths in response to the special dynamics of Whanganui.”
Cavanagh said Clifford’s experience opening Te Uru in a new purpose-built facility was perfectly matched to the next steps for the Sarjeant - seeing the redevelopment through to completion, overseeing the transition from the gallery’s temporary premises to the new, earthquake-strengthened and re-envisaged gallery and establishing the Sarjeant as an exciting new destination for the local community and visitors.