This rifle was captured from the British by one of the Māori band serving Te Kooti, but there is no record of who donated it to the museum.
Mike says that between 1863 and 1864, 1000 of the rifles were imported into New Zealand.
“I could imagine a skilled Māori carver acquiring this and thinking the wooden stock would be a perfectly prepared blank surface to work on. Being familiar with this rifle, I thought it would be appropriate to see what it would look like without the carvings, and, well, it looked naked and without any character - just a military tool.
“Although my understanding of traditional Māori carving is limited, I do find it immensely fascinating to study it from a design and craftmanship perspective. The ability to carve out the many types of symmetrical curved patterns to fit within an uneven surface such as this rifle would require a well-practiced, talented carver. Also, to note is the consistency of the depth and width of the carve throughout the rifle, which shows immense talent and tool experience.
“The carved elements on the rifle stock are called Takarangi spirals. The intersecting spirals represent the close bond between Ranginui (the Sky Father) and Papatuanuku (the Earth Mother). Just below the barrel, the carvings are called pakura, and are commonly used in relief carving.
“I am also drawn to this weapon because it reminds me of the weapons made for films that adorn the corridors of Wētā Workshop, where I recently finished working.”