I'm sure we can all say 2020 has been a year like no other we can remember and certainly one we'd not want repeated. This time last year I'd not heard of coronavirus but within a few months our country was in lockdown in a bid to stem the spread of this often fatal disease.
Repertory Theatre started the year full of optimism. We had a great old time at Music Hall evening on the Saturday of the Vintage Weekend during the Wellington Anniversary and were full of plans for the rest of the year ... but ... "the best-laid schemes of Mice and Men Gang aft agley An' lea'e us naught but grief and pain", as Robert Burns reminded us.
We had plans for several productions during the year which did come to fruition ... eventually.
To open up the theatre and welcome people back, we presented three one-act plays from the "Deck Chairs" series which were well received in late July.
Following that we went into rehearsals for Tom Scott's brilliantly funny but tragic biographical play "The Daylight Atheist". It's a unique piece of theatre in that it's been written as a monologue but the playwright agreed to the adaptations director Kerry Girdwood made, incorporating other characters. We still had to observe social distancing rules, which meant we couldn't accommodate large audiences, yet it was successful.