"They were also about human mortality and included skulls and weaponry."
For Hurst's Vanitas series, she has used elaborate digital fabrication processes and a medical grade flatbed scanner.
The large work on her studio wall is loaded with post-WWII Japanese imagery - the Hiroshima explosion, Godzilla on the screen of a 1960s TV set, and a thermometer among other things.
Hurst says her scavenging for material to use in the series is "eclectic and far-ranging".
She rummages through junk shops and grocery stores searching for objects that are banal yet compelling objects of popular culture.
Born in Denver Colorado, Hurst came to live in Whanganui 24 years ago and says she finds "endless inspiration" here.
Reuben Friend, Director of Pātaka Art Gallery and Museum in Wellington, is the 2018 judge for the National Contemporary Art Award and assessed 331 entries before selecting the 32 finalists.
"This has been a very challenging task for me to complete, as there was no committee or selection body for me to confide in so all selections were purely based on my own personal taste in art," he says.
"This year's selection reflects my personal interest in media and technical artistic ability, balanced with my interest in the current, future and historical, ecological and political environment of our unique part of the world here in Aotearoa New Zealand."
The award is managed by Waikato Museum Te Whare Taonga o Waikato, which will host an exhibition of the finalists from August 4 until October 28.