The Māori word puaki means to come forth, show itself, emerge, reveal, give testimony — making it a fitting title for a time-bending photo exhibition at Te Kōngahu Museum of Waitangi.
In Māori culture, it is believed everyone has a tā moko under the skin, just waiting to be revealed.
But when photographs of tā moko were originally taken in the 1850s, the tattoos people did wear barely showed up.
Through a trick of light and chemistry, the wet-plate photographic method used by European settlers and travelling photographers served to erase this cultural marker.
The process, first used in the early 1850s, required a subject to stay still and non-blinking for at least 30 seconds, the effect often giving the subjects in old portraits static expressions, pale eyes and blanked out facial features or blemishes, including tā moko.
As the years went by, this ''blanking out'' was paralleled in life, too, with the ancient art of tā moko increasingly suppressed or made redundant as Māori were assimilated into the colonial world.