Betty Taylor's needle books from the 1940s to 60s in the collection at Whangārei Museum. Photo / Supplied
Betty Taylor's needle books from the 1940s to 60s in the collection at Whangārei Museum. Photo / Supplied
OUR TREASURES
One of the most overlooked yet essential of current-day items is the humble needle. It is most likely responsible for the very clothes you are wearing, and has possibly saved your pants' buttons and socks once or twice. Needles are tiny tools that every household used to possess but noware becoming rarer at home thanks to the magic of specialisation and factory labour.
A small collection of beautiful needle books bursting with colour was donated to Whangārei Museum last year. The donor's mother, Betty Taylor, used these needles to sew uniforms for soldiers serving in World War II.
The designs of this collection speak of the 1940s to the 1960s, as Betty used up some and bought new ones to replace them.
During World War II penny-pinching and rationing placed strict rules on fabric use and availability. Garment producers around the world developed "Utility" fashion lines that used less fabric.
Home sewing and alterations became even more crucial than in the 1930s to ensure Kiwi soldiers had adequate uniforms and also Kiwis at home had clothes that fitted them and were somewhat fashionable.
Following the war, with many women returning to roles maintaining the home, people had more time to sew and had to keep up with rapidly changing fashions. Home sewing was both a hobby and a necessity. The fun and family-oriented designs on these needle books reflect the following decades where people, mostly women, were encouraged to enjoy sewing.
Inside the needle books (Whangārei Museum 2019.18.2-5) (1). Photo / Supplied
Mid-20th century needle books are usually made from paper with shimmery foil inserts resplendent of Christmas. Contents included needle threaders and needles for dressmaking, canvas, darning, and sometimes saddles.
The first needle book in Betty Taylor's collection is branded "Akra" and appears American in origin, depicting an American Indian male on the cover.
Akra, however, made needles in the Czech Republic from the 1960s and was acquired in 1993 by successful needle producer Groz-Beckert. The second book was made in Japan and is fan-shaped in shades of green, blue and yellow.
Needle books decorated like these were produced in Japan for the European market during and following Allied occupation during World War II (1945–52). It originally contained 63 "gold-eye" needles, which meant the eye section was plated to make them easier to see and smoother to thread. The remaining needle body consisted of nickel-plated iron.
The third book is German-made, trademarked "Wittekind". Soft pastel imagery shows the marketing audience to be mothers and girls. Girls happily sewing dolls clothes adorn the front while inside reveals a novel feature, a small pop-up scene of young girls playing in a toy shop.
Pop-up needle books were quite common in this era and both Akra and Wittekind produced several examples, regularly with themes around children and family.
Sewing in the 1950s was evidently intended for women and was considered a social activity as many needle books are adorned with groups of happy women crowding around fabrics.
Lastly, the fourth needle book is the epitome of the 1950s young fashionable sewer. The "Happy Home" needle book is delightfully figured in green, yellow and red and contained "rustproof", "nickel-plated, 70 assorted gold-eye needles and threader".
Fortunately for us sewing is now popularised for a more diverse crowd than in the 1950s. Vintage needle books, however, are becoming popular items of novelty ephemera to collect.
I'm sure many modern-day sewers would love to take these vibrant needle books home as mementos of a different era and inspiration for projects to come.
