It's odd that anyone would hail a toilet block as the economic saviour or inspiration of an entire town.
It may be a sign of the cultural poverty we feel, evident in town planning within Northland, that we would turn to an Austrian painter and redesign one town around his ideas and hang our hopes on him in another.
It's all the more surprising because we are not culturally or artistically poor. Northland is one of the richest creative centres that I have lived in and, for a country that is short on Pakeha history - the story starts right here. From a Maori perspective (and for obvious reasons I don't have one), I have never understood why Northland's flashy cuz down the road, Rotovegas, gets all the limelight.
Perhaps it's the lack of public buildings here that hold a genuine conversation with the communities that hold them; a place for visitors to enter the cultural dialogue and feel a part of it all. It is true that our civic and national leaders have deigned to build ever bigger police stations, court houses and jails in the 10 years I've been in the North, but I'm not sure that these are architectural conversations with community that young people or visitors really enjoy being a part of.
The one building which is phenomenally successful is our local library. Librarians took part in the design decisions and there is a clear sense that open and genuine consultation with the people prevailed.