Doris reckons her first reaction to the death sentence passed upon her with a shocking recent cancer diagnosis was to realise she is not afraid of dying.
She certainly doesn't want to die soon - too much to do - but considering so many millions of people have successfully managed to die before her, surely it can't be all that difficult.
As to religious theories and visions of the afterlife, Doris has no concrete propositions on which to hang any certainties. Accustomed to describing herself facetiously as a superstitious sceptic (which is a kind of oxymoron), she has no faith, she questions everything and she practises denial wherever possible, as well as the superstitions passed down to her by her long line of Cockney foremothers.
She figures that since they survived and so has she (so far), some of the old wives' tales they swore by - not walking under ladders lest a screwdriver falls off the top and stabs her in the head for instance - might have paid off.
Strains of the many hymns which entered her subconscious during her years as a childhood front-row soprano in an Anglican church choir are somewhere between treasures and hypocrisy.