Horse – Geraldine Brooks (Hachette, $37.99)
Reviewed by Louise Ward
Set alternatively between Kentucky in the mid 1800s and modern-day Washington, DC, Horse follows the stories of Jarret, a slave, Theo, an art historian, and Jess, a scientist. What brings them together is a horse - Lexington, the greatest racehorse in American history.
Jarret is a slave, always named in terms of his ownership – he is Warfield's Jarret, later Ten Broeck's Jarret when he is sold. Jarret's father, Harry, bought himself out of slavery and is saving to do the same for his son but the situation is, of course, complex and precarious.
Jarret has his father's way with horses on the plantation, but with something more – a kindred spirit, a gentle communication. When Darley (later Lexington) is born, sired by the terrifying stallion Boston, his four white feet pierce Jarret's heart and a bond like no other is forged.
We're used to the idea of slavery, of it being part of the world's dark history, but Brooks brings the horror to life afresh. To use the word injustice is to belittle the experience of slavery. The effects are still felt by Theo, a black man in 2019.