He said a design proposal he had intended to be shown at a public meeting back on August 1 was not presented to the public, and he felt it was the "one design proposal for the War Memorial reinstatement that can be recommended".
What he had gone on to put together originated from what he had hoped would have been presented back in August, and wanted the public to have their say on it.
Some copies had been made available to some community representatives as well as Heritage New Zealand, the Returned and Services Association and the council.
Mr Natusch said he had heard little back from the council.
The response from both Heritage New Zealand and the RSA to his design suggestions and his overall proposal had been very positive, he said, adding he hoped the council would take into consideration what he had put together.
He said the design needed to take into consideration the guidelines set out in the War Memorial Trust, as used by both the United Kingdom and New Zealand heritage groups - the importance and relocation of such memorials.
"Reinstating the Roll of Honour and flame and memorial name should be in such a manner that they are seen to be reunited with the hall which was itself part of the War Memorial, and together with the surrounding gardens and beachfront was intended to become a place of contemplation," Mr Natusch said.
"That has now been lost but can be remedied by the provision of a separate area for contemplation - preferably enclosed."
The Roll of Honour would be set upon a rampway outside the room of contemplation, where the flame would be placed, which would host a view of them and the gardens and Sound Shell beyond.
"The architectural significance of the original 1957 memorial has been lost but a history and photographic display should be included in the room as part of this recovery."
Mr Natusch said his design proposal, which he wanted the wider community to see, was designed to reinstate what had been destroyed "as far as reasonably possible".
He had put it together as many people had approached him, knowing of his long architectural association with the site, and had asked him "what are you doing about it?"
He said his design proposal was the answer to that question.