“At high school no one was really playing jazz but I found a strong interest in it. Going back to punk, and listening to something you don’t have to think about too much, can be a nice break from intellectual time spent on jazz.”
Jazz requires more careful listening, he says. On the surface, people can appreciate the groove but a lot of what is done in jazz music — bebop, particularly — is largely improvised.
“You have to listen attentively to what the soloist is doing to appreciate it fully. It is a mater of both taste and open-mindedness. If you approach the music with an open mind, and let it aesthetically come to you, rather than search for something in it, you can appreciate it more.
“Free jazz, though, pushes those boundaries.”
Live performances of jazz are easier to listen to because the audience can see the instrumentation at work, says Boulton.
“Listening to a recording of jazz is like a form a meditation. You have to focus all your mental energy. In big band jazz there can be around 16 voices going on — the guitarist, drummer, piano, horn players — it’s a lot to take in, and it can scare people, but that’s one of the reasons I love it.”